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Thieves' Gambit, Ep. 10: Chapter and Scene Pacing

Pacing scenes and chapters in an action/thriller might seem to be all about how to move through the story as fast as possible, but in this episode Anne-Marie and Erin focus on controlling the pace, why you want slower moments, and how to move fast without sacrificing clarity or emotional resonance.

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Thieves' Gambit, Ep. 9: Overarching Pacing

The pacing of a story determines how a story feels to read, and writers get to control that pacing by placing story elements at certain moments in the book and by how they move from chapter to chapter or scene to scene. In this episode, Anne-Marie and Erin explore how Kayvion Lewis keeps the pace fast and the tension high.

Anne-Marie Strohman 3/6/25 Anne-Marie Strohman 3/6/25

Thieves' Gambit, Ep. 8: Action Scenes

Action scenes in a thriller novel need to be fast-paced, but fast-paced means more than lots of really quick actions in a row. Erin and Anne-Marie break down three different kinds of action scenes in Thieves’ Gambit to find tips and tricks for hitting the perfect sweet spot of pacing.

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Thieves' Gambit, Ep. 7: Relationship Arcs

Like character arcs and story arcs, relationship arcs can span the course of the novel, explore themes, reveal and challenge the main character, and complicate plot lines. In Episode 7, Erin and Anne-Marie examine Ross’s friendship arc with Noelia and her romance arc with Devroe.

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Thieves' Gambit, Ep. 6: Introducing a Big Cast of Characters

Introducing a lot of characters can lead to a muddle in readers’ minds. Erin and Anne-Marie explore why you may want to use a big cast, identify pitfalls to avoid, and break down how Kayvion Lewis introduces the nine teen thieves in Thieves’ Gambit in a way that draws readers in rather than confuses them.

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Thieves' Gambit, Ep. 5: Complicated Family Relationships

In Episode 5, Erin and Anne-Marie examine the complicated family relationships in Thieves’ Gambit and explore why to use them, how to introduce them for maximum effect, and how to leverage those relationships to create more tension without taking away the main character’s agency.