Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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Back Matter? I have to write Back Matter? Using Mentor Texts for Non-Fiction Picture Books
Non-fiction picture books vary so much, instead of just giving you an exhaustive list of possibilities, I’m going to give you something much better: the tools for YOU to figure out what you need. (And I’ll share what I’ve learned along the way.)
Leading your reader to ask the right questions: Revising your first chapter Part 2, Pay Attention, Carter Jones by Gary D. Schmidt
Today, let’s look at a middle grade novel--one very different in style and tone--to see how well framed questions can guide the reader through the first chapter.
Leading your reader to ask the right questions: Revising your first chapter Part 1, Sadie by Courtney Summers
One way to be sure your first chapter will have the effect you want is to focus on what questions will arise in the readers’ minds as they read, and then revise to control those questions to serve your purpose.
Building character quickly: Definition, Dialogue, Desire, and Doubt in Vicky Fang’s Layla and the Bots series
In her early chapter book series Layla and the Bots, Vicky Fang manages to incorporate STEM topics, design thinking, AND interesting characters, all in just over 1500 words each. Let’s take a look at techniques she uses to create interesting and memorable characters.
Design Thinking for Writers: A Q&A with Vicky Fang
"As a product designer, I am used to solving creative problems. I think that’s partially why I’m drawn to different formats, because I get inspiration from the problem. My design experience also helps me take critique feedback well as I’m very used to harsh critiques and revising based on understanding the problems that a critique uncovers."
Opposites Create Instant Conflict: Ginger and Chrysanthemum by Kristen Mai Giang and Shirley Chan
Lots of classic books have two main characters--Frog and Toad, Max and Ruby, Elephant and Piggie. I bet you can name some other favorites too. These stories work well, especially in a series, because the differing personalities create built-in conflict. In order to figure out how to approach a story with two main characters, let’s look at Kristen Mai Giang’s Ginger and Chrysanthemum, illustrated by Shirley Chan, a contemporary story of two cousins who love each other but don't always get along.
How Rejection Helps to Shape a Story: An Interview with Kristen Mai Giang
This particular inspiration was already the second or third version of this story, which I knew I wanted to be about girls and friendship. In previous versions, they weren’t cousins. And for each version, I did literally dozens of revisions.For Ginger and Chrysanthemum, part of that was due to the submission process, during which agents and editors asked to see widely varying changes. The characters of these hot-and-cold cousins never changed once they were born, though, and it wasn’t until then that the story began to attract attention.
Controlling Beliefs: The Secret Engine for a Novel
Sometimes in planning a story, you might find that the character’s desire is a little too abstract, or that their desire isn’t really something they can affect. There is a solution: a controlling belief.
Story Questions
Framing your story with a STORY QUESTION that gets answered by the end of the novel works because it adds forward momentum, keeps your reader wanting to turn the page, and--since you delay the final answer to the question until the end--builds tension
Retro Post #4: The Magic of a Secret Space: Beetle Boy and Beyond
In a world where adults are constantly telling children what to do, which vegetables to eat, when to go to bed, and sometimes, what to think and feel, the idea of a secret space can be magical and captivating.
Retro Post #3: Characters to Love–and Telling Them Apart–in THE PENDERWICKS
More important than their differences and easily distinguished voices, these sisters work together as a team. And arguably, it’s this aspect of the novel that makes it so appealing. We see their cohesiveness in the initial reminiscence of the opening, but we also see it through their interactions and their family codes and practices.
