Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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Are Critique Groups Right for You? Tips From Gennifer Choldenko
I have been in critique groups on and off for most of my career. I’m here to tell you that they can be wildly helpful and bracingly unhelpful–the trick is how to make them work for you.

MANAGING DIFFICULT EMOTIONS IN HEALTHY WAYS: A Q&A WITH AUTHOR DANIELLE DUFAYET
Danielle Dufayet’s picture books plant seeds in children’s minds and hearts about important topics like self-love, inner strength, patience, and letting go of perfectionism when creating art.

Crafting a Story of Contrasts: A Q&A with Nora Shalaway Carpenter, author of Fault Lines
I needed to write what felt right and natural to me, even though I was worried my agent and editor (and readers) might think it was weird. . . . I have always felt a deep, almost spiritual or magical connection with the natural world. That’s what was coming through in my writing.

Put a Button on It!
A “button” is something that happens at the end of a scene that provides closure, a final touch that seals the deal. It can also be called a “tag” and is a final beat that can be used to close out the scene. Buttons create a satisfying ending that takes the scene just that one more notch. It can add a twist, focus our attention on a particular character or goal or theme, or emphasize an emotion.

It’s Not Just Letters Anymore: Modern Epistolary in Carrie Firestone’s The First Rule of Climate Club
In First Rule of Climate Club, Fisher Middle School’s new eighth graders get the opportunity to participate in a science class pilot program devoted to climate change. Firestone tells their story through protagonist Mary Kate’s eyes, but uses a slew of different types of communication that creates room for other points of view.

Inspiring Activism: Interview with Carrie Firestone, author of THE FIRST RULE OF CLIMATE CLUB
“My books are all an extension of the activism and community organizing in my life. My teaching was also a reflection of that. I take on political/social realities that I would like to see in the world.” –Carrie Firestone

Crafting the Short Story: “They Call Me Hurricane” by Rocky Callen in Ab(solutely) Normal
I want to give you a sense of some things to think about as you approach writing a short story. Let’s look at Rocky Callen’s story “They Call Me Hurricane” from Ab(solutely) Normal to see how she approaches the short story form.

Stories of Mental Health are Absolutely Necessary: A Q&A with Rocky Callen, co-editor of Ab(solutely) Normal
We were both adamant that this collection feature protagonists living with mental health conditions and be written by authors with lived mental health experiences. There are many incredible stories out there that aren’t written from lived experience, but we wanted this anthology’s mere existence to be a testament to how those living with mental health conditions can still chase dreams and lead fulfilling lives.

Finding Inspiration in Necessity: A Q&A with Dashka Slater, author of Escargot
"I started out writing for adults and so when I published my first children’s book, after 15 years of writing for adults, I couldn’t believe what a warm welcome I got. People were immediately supportive and eager to share information. The collegiality of kidlit authors is one of the things that I love the most about this field."

Pushing it One Step Further - Humor Techniques in Simon Sort of Says
Simon Sort of Says is my new favorite middle grade novel, a laugh-aloud story about the sole survivor of a mass school shooting. Did I just put the words laugh aloud and school shooting in the same sentence? I did. And I meant it. This isn’t just a book with a kid with a snarky tone. Or a great voice. This is a book that’s so funny I snorted. Humor and warmth are the undercurrent of this book. Simon and his family deal with events with humor. Simon connects with new friends through jokes and laughter. Ultimately, their connections and their ability to keep laughing helps them in the healing process.

Retro Post #9: VOICE IS WHERE THE MAGIC HAPPENS: SAL AND GABI BREAK THE UNIVERSE BY CARLOS HERNANDEZ
Through a combination of humor, culture, warmth and language, Hernandez uses voice to make his characters unforgettable and his novel hard to put down.

Visiting New Spaces: A Q&A with Meera Sriram
Meera Sriram’s picture books take kids to a not so often visited “space”—people, place, experience—to evoke wonder and spark conversations. Sriram feels empowered and hopeful when she thinks about how her stories have the power to influence a child’s worldview.

Walking with Lennon: How to Find Inspiration and Shape a Story
Novels are amalgams. Your experiences. Your friends’ memories. Stuff you’ve read. Stuff you’ve heard about. Be open to it all. Mash up the different elements. The real secret of the secret sauce of novel-writing is that no one knows what goes into it.

Keeping Things Real: Writing Authentic Realistic Fiction for Middle Graders
But engaging middle school readers requires more than an interesting plot—the characters and their experiences must feel authentic to and reflective of the complicated world in which the readers live.


Writing for Everyone: A Q&A with Patricia Tanumihardja, author of Ramen for Everyone
"I focused on just his family members because I realized that I wanted to weave together themes of food and family, in particular the father-and-son relationship. Food has always been a very important part of my family, both when I was growing up and now that I have my own family. My mom liked to cook and it was her way of showing her love for us. Similarly, I like to cook my husband’s or son’s favorite dishes and/or add in favorite ingredients here and there, just because I want to show them I “see” them and I love them."

Writing Enticing Middle-Grade Fiction with the Classroom in Mind
For me, story comes first, unbounded by requirements that might inhibit my creative process. I write my first draft, and in revision I assess if it has possible classroom connections.

Using a Small Thing to Big Effect: The Wreath in Linda Urban's Talk Santa to Me
Linda Urban’s stories are studded with angst, anguish, and hope, as well as problems, pathos, and humor. She is stellar at structuring stories so that something small, seemingly insignificant, becomes the integral to the climax and the protagonist’s understanding of the situation. In Talk Santa To Me, surprisingly, it’s a gaudy silver Christmas wreath that takes this hefty role.

Talk Writing with Me: a Q&A with Linda Urban, author of Talk Santa with Me
"My feeling is that if we are true to where our particular characters are developmentally, experientially, and philosophically, and we write from that place, we can write work that will connect with readers." --Linda Urban

The Writing Quest: A Q&A with Karen Krossing
Karen Krossing shares her publishing journey--it's been a long and fruitful one!--as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.