Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
Disclaimer: Some posts include bookshop.org affiliate links. Use the links to support KidLit Craft and local bookstores, at no additional cost to you.
Browse the Blog
How to Structure a Thriller: Pacing and Plot in Inheritance Games by Jennifer Lynn Barnes
The Inheritance Games features Avery Grambs, a normal girl who unexpectedly inherits 46 billion dollars. The story has key attributes that engage readers: excessive wealth, a love triangle with hottie brothers, and a twisty mystery. I knew that it was fast-paced, but what exactly did that mean?
Comedic Strategies for Writing Humor: Martha Brockenbrough’s Frank and the Masked Cat
Martha Brockenbrough’s chapter book Frank and the Masked Cat is objectively hilarious. By using situational humor, weird words, the juxtaposition of familiar words with unfamiliar uses, repetition, and multiple strategies at the same time Brockenbrough gives readers many layers of witty comedy.
Inspired by the World: a Q&A with Martha Brockenbrough
Using a Small Thing to Big Effect: The Wreath in Linda Urban's Talk Santa to Me
Linda Urban’s stories are studded with angst, anguish, and hope, as well as problems, pathos, and humor. She is stellar at structuring stories so that something small, seemingly insignificant, becomes the integral to the climax and the protagonist’s understanding of the situation. In Talk Santa To Me, surprisingly, it’s a gaudy silver Christmas wreath that takes this hefty role.
Talk Writing with Me: a Q&A with Linda Urban, author of Talk Santa with Me
"My feeling is that if we are true to where our particular characters are developmentally, experientially, and philosophically, and we write from that place, we can write work that will connect with readers." --Linda Urban
Mapping Change in Character Relationships in Three Strike Summer by Skyler Schrempp
It can be argued that Skyler Schrempp’s debut novel, Three Strike Summer, is about baseball. Or poverty. Or migrants. Or summer. Or families trying their best to get by. Or unions. Or friendship. Or finding joy even in the hardships of life. And it is. It’s about all of these things, but my favorite part of the story is the story of sisters. Of Gloria and Jessamyn. Schrempp gives voice to a frustrating, loving, complicated relationship that grows, changes, and strengthens throughout the story.
Bridging the Gap Between Reader and History: A Q&A with Skyler Schrempp, author of Three Strike Summer
Skyler Schrempp: “I once read that George R. R. Martin talks about writers as “architects” or “gardeners”. Architects plan everything out before building and gardeners plant a bunch of things and see what grows well. I guess I see myself as more of a gardener than a panster! Pantser implies you’re really winging it, but I feel very intentional when I write…and it’s slow…like gardening.”
The Magic Number Three: Brand-New Bubbe by Sarah Aronson
Numbers have power, magic, even. Not the abracadabra kind, but the kind that makes a reader sit up and pay attention even though they don’t know why. Sarah Aronson understands the power of the number three as a literary device and uses it masterfully in her picture book, Brand New Bubbe.
It's All About Play (and Gusto!): A Q&A with Sarah Aronson
Sarah Aronson: “No two projects emerge the same way, but I will commit to this: my process is aggressively playful. It’s my policy NEVER to say no to an idea until I’ve tried it out.”
Writing Effective Parents: The Civil War of Amos Abernathy by Michael Leali
Leali pulls off the parental balancing act with aplomb and creates a mom who tries, messes up, seeks forgiveness, and tries again. It is a master class in how to create a complex parental character.
Writing Lived Experience: A Q&A with Michael Leali
Every manuscript seems to have its own distinct journey, but every story I write begins with an awful lot of daydreaming, staring into space, jotting a phrase or two onto a sticky note, and coming up with a working title.
Writing Deep Stories with Simple Words: A Q&A with Stefanie Hohl
“Studying craft is the best thing I have done for my writing. I like to write in many different genres, and each one informs the other. Reading and studying books and examining how other authors accomplish their craft has helped me tremendously.”- Stefanie Hohl
Making a Mystery that Mystifies: Part 2
Good mysteries are fun because they keep the reader guessing. One of the most important keys of writing a mystery is writing the story so the reader can try to solve it. Nothing’s more annoying than not being given clues to solve the mystery unless those clues are so obvious that there is no real mystery to be solved. The best way to achieve both goals is to give quality clues but constantly keep the reader guessing so they don’t recognize the clues for what they are.
Making a Mystery that Mystifies: Part 1
A compelling mystery must engage the reader in solving the mystery, and the best ways to do so are to 1) start the mystery off quick, 2) capture attention with consequential stakes, 3) increase tension, 4) keep the reader guessing, and 5) finish strong.
Humor and Heartache: Mary Winn Heider's Losers at the Center of the Galaxy
If you’d like a lesson in the unexpected you’d be hard-pressed to find a better model than Losers. Instead, we’re going to look at how despite (or with the assistance of) all the silly, Heider is able to put an ache and a depth into the stories of Winston and Louise.
The Wacky and the Unexpected: Q&A with Mary Winn Heider
"The biggest leap for me in my writing life happened when I got comfortable with failure. I wrote some disastrous things in grad school. But before that, my writing had gotten stagnant because I was too anxious about getting it right all the time. Allowing myself to fail gave me the freedom to take risks and make mistakes. Those mistakes, in turn, taught me how to write the way I want to write."
Using Setting to Externalize the Internal: Words Composed of Sea and Sky by Erica George
As writers, we can look to our settings to provide a wealth of tools to not only add depth to the story but to underline the experiences of the characters, their feelings, their motivations, their desires.
Composing Words: a Q&A with Erica George
"I love that when I have a question, I can reach out and pick the brilliant brains of other talented kidlit writers. I’m always amazed at how quickly plot or character problems can be solved when you get out of your own head. I also love how willing people are to share great examples of kidlit to use as mentor texts."
SIDEWRITING TAKEOVER: Your Favorites! (a crowdsourced post)
Writer Friends! You shared with us the ways you sidewrite, and we listened. It was so fun and enlightening to get the scoop on your favorite exercises and tricks to get deep into your characters and figure out your plot.
SIDEWRITING TAKEOVER: Start with a Glimmer with Sarah Aronson
When I don’t know the WHY behind a scene or a character, there is nothing more helpful than stepping away from the manuscript. When I am writing away from my story, I am free to explore my characters, setting, plot, theme…well everything. And since it doesn’t “count,” it also doesn’t have to be good—that is the permission slip I need.