Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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Heightening Emotional Response Through the Poetic Device of a Refrain: Red, White, and Whole by Rajani LaRocca
The primary purpose of a refrain, or a recurring line throughout a poetic work (or prose for that matter), is to draw attention to something important. Used effectively, it can heighten the emotional resonance of your story and make it feel more universal, and LaRocca uses hers to great effect.

Tackling Different Styles and Genres in Children's Literature: A Q&A with Rajani LaRocca
"I’ve learned that the most important thing is to keep writing about what I love, what’s important to me, what I’m curious about. I’ve learned to put a piece of myself in every story. And I’ve learned that being vulnerable in my writing means that it will resonate with others."

Techniques for a Slow-Build to An Overarching Story Question: From the Desk of Zoe Washington
With an awesome opening sentence, Marks not only introduces the inciting incident, but creates a storm of wondering questions for the reader,

CRAFTING MEMORABLE MIDDLE GRADE NOVELS: A Q&A WITH JANAE MARKS
I love exploring what it’s like to be twelve years old, an age where you’re not quite a kid or a teenager. It’s such a transitional time, and can be full of so much drama. (My middle school days certainly were!)

Voice is Where the Magic Happens: Sal and Gabi Break the Universe by Carlos Hernandez
Through a combination of humor, culture, warmth and language, Hernandez uses voice to make his characters unforgettable and his novel hard to put down.

Building Engaging Stories Through Conflict and Tension: Something to Say by Lisa Moore Ramée
If you only give your readers one conflict after another without tension in between, you are in danger of exhausting, and maybe even boring them, to the point that they lose interest. Tension turns the page.

An Interview with Lisa Moore Ramée Who Has More Than Something to Say
With an issue of a debate being at the heart of this story, it’s of course important to try to truly explore the issue, and I hope I did that.

Embedding Practical Lessons in Your Novels: A Craft Analysis of The Startup Squad Series
Weisfeld envisioned a book series and a brand that encouraged and taught girls to be entrepreneurs through engaging, adventurous stories.

Interview with Brian Weisfeld: On Developing and Co-Writing a Series to Inspire Entrepreneurship
The four years of creating that original manuscript were the hardest and most humbling of my entire career. But my journey is also a reminder that there are a lot of different paths to publication.
FAMILY EVERYWHERE--Mae Respicio’s Novel, Any Day with You
Bottom line, when you read Any Day with You, you feel awash in family love--whether multi-generational, extended, or found.

An Interview with Mae Respicio: Learning Craft Will Always Set Writers Off on the Strongest Foot
Learning craft will always set writers off on the strongest foot.

CRAFTING ENGAGING STORIES ABOUT TOUGH SUBJECTS: Learning from Janae Marks and Lisa Moore Ramée
These are compassionate stories that encourage readers to awaken their own inner activist. And they also model ways for kids to engage in deep conversations about topics that can be hard to talk about.

Interview with Kate O’Shaughnessy: Writing with Honesty and Heart
Ignore trends entirely, and write the book that truly calls to you.

All the Impossible Things: Seeding Tension Maximizes the Reading Experience
The strongest novels have main characters who not only want something but want something with serious stakes involved. In All the Impossible Things, Red’s stakes are whether she will ever have a home that truly fits.

Interview with Lindsay Lackey: Craft and Community--a Perfect Fit
I love the deep sense of wonder writers of children’s books possess, and how we all—deep down—still believe in magic. The world is so often dark and stormy, but kidlit writers relentlessly gather around the flickering candles in the darkness.




