Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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Patricia Tanumihardja: Breaking the Rules
“Don't be afraid to break the rules. I think it's important to learn what the rules are. But if you find they don't apply to you, or if you want to try something off the beaten path, do it!”
Jenn Bailey: Crafting the Ultimate Payoff
“If your climax feels a little flat, or if you aren’t feeling the emotional payoff you’ve expected, look at earlier chapters and scenes. Make sure you’ve written in the reasons that make this climax inevitable. And that you’ve positioned your main character in the kind of emotional state where this final scene will let readers feel a satisfactory resolution.”
Cindy Chang: Playing with the Past
“Writing about a lived experience, especially a difficult one, can be challenging. As much as you may want to share exactly how the events unfolded in reality, it’s okay to take some creative liberties. Ultimately it’s more about figuring out the story and focusing on communicating the wants, conflicts, and lessons learned through your lived experience. And in doing so, you may find yourself feeling a little freer from the past.”
Casey W. Robinson: Writing Stories with Heart
“Find a book you loved from your childhood and re-read it. How does (or did) it make you feel? What was it about the language, the read aloud, the characters, the storyline that captivated you? I've noticed that I connect to these “old” heart stories differently than I do newer mentor texts. As writers for kids, this kind of first-hand knowledge can help our subconscious brains make smart editorial decisions when we’re drafting.”
Serena Gingold Allen: Success with Scenes
“Even though it can be intimidating to share your work with others, particularly when you're starting out, find and join a critique group. It's important to find a good match, so keep trying out new ones if the first one you try doesn't work. I wouldn't be the writer I am today without my critique partners!”
Jessie Janowitz: Give Your Narrator a Secret
“Understanding your main character’s backstory is essential to the first-person voice. We filter the world through our unique personal experiences, . . . we refer to places we’ve been, people we’ve met, food we’ve eaten, etc. If we don’t know our narrator’s history, we can’t begin to know the language they’d use to describe it.”
Sam Subity: Keep Writing!
“The inspiration for Valor Wings came from my daughter's nightstand. One day the two books on top were Anne of Green Gables and Wings of Fire. Just for fun, I started concocting some scenes that merged the two into a story about a great granddaughter of the famous Anne who led a squadron of dragon riders in World War 2. So my working title for Valor Wings for a long time was ‘Anne of Green Dragons.’”
Erin Becker: Go For It!
“I want to write books that make people feel good. I wrote Crushing It during the pandemic, during a difficult time in my life. Writing this story was like a warm hug and a reminder that sometimes, things do turn out okay.”
Lindsay Lackey: Welcome Ideas Out of Your Comfort Zone
“My biggest tips for authors: 1) don't be afraid! New topics and challenging themes ARE possible. And 2) Ask for help! Books are built like houses: the results are much better with the help of a few experts.”
How to Write a Big Emotional Scene: Fault Lines by Nora Shalaway Carpenter
Nora Shalaway Carpenter’s YA novel Fault Lines is a study in contrasts. It’s the story of Viv, a high school senior who lives in rural West Virginia, and Dex, a boy in her grade who moves to town. Viv lives a middle class life; Dex is only recently out of extreme poverty. Viv is anti-fracking; Dex’s mom works on the pipeline. But Viv and Dex are drawn to each other. This dual point of view novel barrels straight toward a huge conflict between these two characters. Carpenter handles the moment of greatest conflict with deft hands. Let’s take a look at how she helps readers connect with the characters’ emotions without getting maudlin.
Crafting a Story of Contrasts: A Q&A with Nora Shalaway Carpenter, author of Fault Lines
I needed to write what felt right and natural to me, even though I was worried my agent and editor (and readers) might think it was weird. . . . I have always felt a deep, almost spiritual or magical connection with the natural world. That’s what was coming through in my writing.
Put a Button on It!
A “button” is something that happens at the end of a scene that provides closure, a final touch that seals the deal. It can also be called a “tag” and is a final beat that can be used to close out the scene. Buttons create a satisfying ending that takes the scene just that one more notch. It can add a twist, focus our attention on a particular character or goal or theme, or emphasize an emotion.
Crafting the Short Story: “They Call Me Hurricane” by Rocky Callen in Ab(solutely) Normal
I want to give you a sense of some things to think about as you approach writing a short story. Let’s look at Rocky Callen’s story “They Call Me Hurricane” from Ab(solutely) Normal to see how she approaches the short story form.
Stories of Mental Health are Absolutely Necessary: A Q&A with Rocky Callen, co-editor of Ab(solutely) Normal
We were both adamant that this collection feature protagonists living with mental health conditions and be written by authors with lived mental health experiences. There are many incredible stories out there that aren’t written from lived experience, but we wanted this anthology’s mere existence to be a testament to how those living with mental health conditions can still chase dreams and lead fulfilling lives.
Perfect-for-This-Book Patterns: Ramen for Everyone by Patricia Tanumihardja
Patterns can help shape a story, from the big-picture themes to the moment-by-moment actions. Giving kids the opportunity to “read” the patterns gives them practice in making meaning. And it gives them satisfaction in reading as well.
Writing for Everyone: A Q&A with Patricia Tanumihardja, author of Ramen for Everyone
"I focused on just his family members because I realized that I wanted to weave together themes of food and family, in particular the father-and-son relationship. Food has always been a very important part of my family, both when I was growing up and now that I have my own family. My mom liked to cook and it was her way of showing her love for us. Similarly, I like to cook my husband’s or son’s favorite dishes and/or add in favorite ingredients here and there, just because I want to show them I “see” them and I love them."
Drawing in the Reader into a Non-Fiction Picture Book: One Tiny Bubble by Karen Krossing
In One Tiny Bubble, Krossing uses specific craft techniques to connect readers to the story, from direct address to apt comparisons, enabling kid readers to understand LUCA in relation to themselves and their world.
The Writing Quest: A Q&A with Karen Krossing
Karen Krossing shares her publishing journey--it's been a long and fruitful one!--as well as her exploration of writing in various categories, from YA to picture books, and details of her writing process.
Anne-Marie Guest Blogs at The Official SCBWI Blog
In January 2023, I had the pleasure of being the guest blogger for The Official SCBWI (Society of Children's Book Writers and Illustrators) Blog. Here are links to the posts, in case you missed them.
What We Read in 2022: Middle Grade
A list of the books we read in 2022 for our in-person middle grade book group for middle grade authors.