Craft Articles
Join us in exploring others’ craft and building our own.
Here you will find explorations of mentor texts – articles that dive into specific craft elements in published books, interviews with authors, and tips on growing and improving as a writer.
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How to Structure a Thriller: Pacing and Plot in Inheritance Games by Jennifer Lynn Barnes
The Inheritance Games features Avery Grambs, a normal girl who unexpectedly inherits 46 billion dollars. The story has key attributes that engage readers: excessive wealth, a love triangle with hottie brothers, and a twisty mystery. I knew that it was fast-paced, but what exactly did that mean?

Building to the Perfect Irreconcilable Goods Crisis: The Silence that Binds Us by Joanna Ho
By setting up a compelling story question in the reader’s mind, and then increasing the stakes throughout the second act, Joanna Ho has crafted the perfect crisis with its excellent Irreconcilable Goods options.

Making a Mystery that Mystifies: Part 1
A compelling mystery must engage the reader in solving the mystery, and the best ways to do so are to 1) start the mystery off quick, 2) capture attention with consequential stakes, 3) increase tension, 4) keep the reader guessing, and 5) finish strong.

SUMMER RETROSPECTIVE: TAKING A PAGE OUT OF CLASSIC MYSTERIES TO KEEP TENSION ALIVE AND WELL
To find good mentor text for “tension till the bitter end,” I went directly to one of my most beloved authors—Agatha Christie. Yes, I know. She’s not a middle grade author. However, when I was in my middle grade years, I devoured her books. Surely, that counts. Plus, for a mentor text, why not go straight to the Queen of Mystery?

Writing Action Beyond the Play-by-Play: Dangerous Play by Emma Kress
Emma Kress’s debut YA novel, Dangerous Play, has plenty of action and a lot of games. It’s a book about a girls’ field hockey team who uses parkour to supplement their summer training, and puts those skills to use as vigilantes against perpetrators of sexual assault. It takes place over an entire hockey season, and Kress makes smart choices about how to condense the many field hockey games so that each one serves the story, especially by manipulating pacing and creating tension.

Story Questions
Framing your story with a STORY QUESTION that gets answered by the end of the novel works because it adds forward momentum, keeps your reader wanting to turn the page, and--since you delay the final answer to the question until the end--builds tension
